Photography Class Costs and Packages
Individual classes typically last for two hours and cost $125.00 each. These sessions are often one-on-one, providing personalized instruction. However, those looking for savings might turn to promotional offers. Groupon ads, for instance, offer a discount bringing the cost of a single two-hour class down to $75.00, potentially in a group setting. They also have an option that slices the price of the Basic Photography Package in half, reducing it to $250 while still possibly being conducted in a group.
If you prefer structured learning, the Basic Photography Package costs $500.00 and includes four two-hour sessions. This package is split into courses – photo 100, 101, 102, and 103. There's also the Portrait Photography Package, priced similarly at $500.00, with classes listed as photo 104a, 104b, 104c, and 104d.
Military and first responders, including their spouses, enjoy a significant discount. Active duty military or first responders, veterans, and their families get 60% off, reducing the cost of a class to $50. This discount also applies to the four-class packages, bringing the overall cost down to $200. These classes may also be conducted in a group setting when using this discount.
For anyone new to digital photography, Discover Digital Photography is an introductory course without any prerequisites. This comprehensive class covers everything from equipment and camera features to digital storage and editing. It also explores using digital images online and printing options. The course offers a choice between a 6-week instructor-moderated option and a self-guided one with three months of access.
Instructor-led sessions provide a collaborative learning experience, with Beverly Richards Schulz guiding students. Beverly brings expertise from her extensive background in photography and digital editing. Reviews show that students, regardless of their initial knowledge level, find the course enriching and helpful in understanding and applying digital photography techniques.
Course Content and Structure
The courses cover several areas crucial to mastering digital photography:
Types of Cameras and Features: Early in the curriculum, students learn about the key features of digital cameras. This foundational knowledge includes getting acquainted with equipment inside and outside the camera, helping learners make informed decisions when purchasing their gear. The course doesn't limit itself to sophisticated DSLRs but also touches on the capabilities of smartphone cameras, recognizing their convenience and growing popularity.
Digital Storage Solutions: A significant part of digital photography is managing the onslaught of digital files. Lessons on storage address the importance of having sufficient storage space on your camera, computer, and offline secure backups. This section provides practical advice on maximizing your storage efficiency and selecting the best backup options to safeguard your creative work.
Editing Techniques: One of the most compelling features of digital photography is the ability to edit images post-capture. The courses cover a range of digital editing programs, offering students hands-on experience with popular software applications. From basic adjustments to more complex edits, students learn techniques that elevate their images and address common challenges photographers face.
Printing and Displaying Digital Images: Knowing how to print digital images correctly is essential. The course explores various printing options, whether at home or through professional services. Participants learn how to prepare images for printing, ensuring high quality and durability, which is particularly valuable for those interested in scrapbooking or archival photo preservation.
Different Course Formats: San Antonio's photography courses offer flexibility to fit different learning preferences and schedules. The instructor-moderated courses span six weeks, providing ongoing guidance and interaction in an online discussion area. Beverly Richards Schulz, an award-winning photographer, leads the sessions and engages with students, sharing her vast expertise and answering questions. The self-guided option grants three months of access, allowing students to start at any time and learn independently at their own pace.
Course Duration and Prerequisites: Courses are designed to be accessible, with no prerequisites required, making them ideal for absolute beginners. Each lesson builds upon previous knowledge, guiding students from basics to more advanced topics systematically. This structure ensures that even those with no prior experience can develop a strong foundation and advance their skills confidently.

Enrollment and Registration Information
Registering for classes is a simple and user-friendly process. To enroll, prospective students can begin by calling the studio directly at 1(210) 439-0570. During the call, they can leave their name and number, and a studio representative will get back to them to finalize the registration and schedule their class. This personalized touch ensures that each participant's needs and preferences are taken into account.
For those who prefer online options, many courses offer easy registration through their respective websites. The step-by-step process usually involves:
- Selecting the desired course
- Adding it to the cart
- Completing the payment details
Once registered, students receive confirmation and any necessary information to get started with their chosen course.
San Antonio's photography workshops are committed to creating a supportive learning environment. Studio policies are discussed during the first class, ensuring students are aware of the guidelines that facilitate a respectful and productive atmosphere. Limited open studio time is available for students to practice the techniques covered in class. The dates and times for open studio sessions are typically determined at the beginning of each term, posted on studio doors, and communicated during class. This practice time is invaluable for reinforcing new skills and experimenting with different ideas, offering a hands-on component that complements theoretical learning.
The workshops also emphasize respect and collaboration. Students are encouraged to be considerate towards studio monitors and adhere to all studio rules. Open studio time is intended specifically for practicing class content rather than production purposes, ensuring that everyone has fair access to the resources and support available.
Additionally, administrative details such as payments, class withdrawals, cancellations, and refunds are clearly outlined in the registration policies and guidelines accessible to all participants. Understanding these policies helps students plan effectively and manage their enrollment in a way that aligns with their personal schedules and commitments.
Instructor Credentials and Student Reviews
Leading the charge is Beverly Richards Schulz, an award-winning photographer who brings both extensive practical experience and a strong academic background to the table. Schulz is a graduate of the New York Institute of Photography and holds a Bachelor of Arts in Legal Studies from UC Berkeley. Additionally, she has a master's degree in Adult and Continuing Education and has been teaching at the University of San Francisco for over a decade.1 Her deep understanding of both photography and education provides a unique and effective teaching approach that resonates well with students.
Beyond her academic credentials, Schulz has written over 30 courses focused on digital photography and editing, including co-authoring the book "Photoshop Elements 14—What's New?". Her wealth of knowledge allows her to provide comprehensive guidance on the latest advancements in digital imaging. As a seasoned educator, she excels in translating complex technical concepts into practical, digestible lessons, ensuring that even novices can quickly grasp the essentials of digital photography.
Schulz's teaching approach is highly praised by her students, as reflected through numerous positive reviews and testimonials. Many students report starting their courses with limited knowledge of digital photography, only to find themselves well-equipped and confident by the end. One student said:
"I knew nothing, really, about digital photography or cameras when I started. My knowledge was so limited I couldn't even ask questions. Now I feel competent to choose a camera and discuss the subject intelligently with people already using the technology."
Another student highlighted Schulz's ability to customize her teaching to individual needs, appreciating the personalized touch:
"Awesome course! Helped me with the purchase of my new camera and the overall functionality of it from the start. Made the purchase exciting not overwhelming or frustrating. THANK YOU!"
The benefit of Beverly's extensive experience is also evident in how students perceive their learning journey. One satisfied participant shared:
"Beverly, I've enjoyed this course because it seemed that the lessons were written just for me and the questions of the other students supplemented the information. Also, no matter how trivial or complicated the students' questions were, you and Eric somehow managed to keep your answers simple and to the point. Thank you."
Feedback consistently points to the exceptional value and comprehensive nature of the courses. Participants commend the technical knowledge imparted and the historical contexts which enrich their understanding.

Facilities and Additional Resources
The facilities at San Antonio's photography workshops are designed to create an enriched learning environment, providing students with access to a range of advanced resources that cater to both traditional and contemporary photography needs. These workshops are held in state-of-the-art studios equipped with the latest technology and tools essential for a comprehensive educational experience.
Students benefit from access to a variety of traditional and digital imaging equipment. The workshops feature:
- Professional-grade DSLRs
- Lighting setups
- An array of lenses
This allows students to experiment with different techniques and styles. In addition to digital equipment, the facilities also support traditional photography methods, ensuring that enthusiasts can explore the full spectrum of photographic art.
The classrooms are furnished with high-end computers and the latest software for digital editing, including industry-standard programs like Adobe Photoshop and Lightroom. This allows participants to engage in real-time editing, color correction, and image manipulation exercises under the guidance of experienced instructors. The availability of scanners ensures that students can digitally convert and edit old photographs, negatives, and slides, blending the nostalgia of analog photography with the modern convenience of digital technology.
Materials necessary for coursework are either provided or discussed in the initial sessions, ensuring students are well-prepared. When required, instructors supply a detailed materials list, guiding students on essential items to bring or procure. This preparation fosters a focused and effective learning environment, allowing participants to dive straight into practice and experimentation.
Open studio time is another significant resource provided by these workshops. Students have the opportunity to reserve studio space outside of regular class hours, facilitating extended practice sessions. This open studio time is vital for reinforcing class content, allowing participants to experiment freely and refine their techniques in a practical setting. The availability of this resource is conveyed at the beginning of each term, with schedules posted on studio doors and discussed in class to keep everyone informed.
In addition to the physical resources, the workshops provide a plethora of supplementary materials and learning aids. These include detailed lesson plans, access to an online Digital Dictionary, and a wealth of reference materials. These aids are designed to augment in-class learning, offering students the chance to explore specific photography topics at their own pace.

- University of San Francisco. Beverly Richards Schulz. University of San Francisco Faculty Profiles. https://www.usfca.edu/faculty/beverly-richards-schulz








